1.10


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Equestrian statue of Marcus Aurelius

Representational

Recognizable as a man on a horse

Artist tries to create realistic movement and expressions


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José de Rivera, Infinity

Non-objective

Unrecognizable subject matter

Subjective: individual viewer creates his or her own interpretation


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Allan Houser, Reverie

Representational

Can identify two faces

Size of faces and positioning of forms suggest mother and child

Abstraction

To emphasize, distort or simplify forms

The degree to which an artwork is less representational and moves toward non-objective


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Audrey Flack, Marilyn Monroe

Representational:

Marilyn Monroe

Still life objects

Symbols of vanitas (reminders of mortality):

Time: Calendar, watch, hourglass

Vanity: Cosmetics, mirror, jewelry, perfume

Death and decay: Candle, fruit, flowers

Wealth and fame: Marilyn, necklace

Individual meaning:

Our mortality

Photograph of artist and her brother


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Eva Hesse, Hang-Up

Representational

Empty frame

Materials are wood, cloth, steel tube, and cord

Biographical analysis

Title may relate to issue (hang-up) artist has not resolved:

Born a Jew in Nazi Germany

Mother’s suicide

Divorced

The artist herself did not claim these associations


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Jean-Auguste-Dominique Ingres, Grande Odalisque

Feminist analysis

Objectified subject (nude woman in a harem)

Male audience/viewer

Pose is sensual and submissive


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Leni Riefenstahl, still from Triumph of the Will

Contextual analysis

Film made for Hitler of his speech in Nuremberg in 1934

Film as propaganda for Nazi regime


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Edward Hopper, Nighthawks

Psychological analysis

Made during America’s entry into World War II

Emotion conveyed through figures and setting


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Diego de Silva y Velázquez, Las Meninas

Combining modes of analysis

Formal analysis-Multiple focal points discovered:

Princess Margarita

King and Queen

Velázquez painting

Nieto in doorway

Contextual analysis

Identification of members of the court in scene

Biographical analysis

Artist’s desire to be knighted

Artist’s relationship with King Philip IV

Iconographical analysis

Cross on Velázquez

Velázquez used Las Meninas to show his importance as a painter and his intimacy with the royal family


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Picasso, Las Meninas


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Thomas Struth, Museo del Prado 7

Artist is studying the act of looking

Discuss whether the students are viewers or are subjects of an artwork

Consider the experience of looking at this photograph while it hung next to Las Meninas in the Prado


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